Stefanie True, soprano, has performed extensively around Europe, North, and Central America, appearing in operas, oratorios, and solo recitals. As a soloist she has appeared in the major works of Bach including St. Matthew Passion, St. John Passion, Mass in B Minor, Christmas Oratorio, and several cantatas, as well as Mozart's Requiem and Coronation Mass, Vivaldi’s Gloria, Graun’s Der Tod Jesu, Händel’s La Resurrezione, and Faurè’s Requiem. Past opera experience includes roles such as Cephise in Campra’s L’Europe Gallante with William Christie (Ambronay Festival), Belinda in Purcell’s Dido and Æneas (York University), as well as various roles in Purcell’s The Fairy Queen, and Adelaide in Handel’s Lotario (Opera Concertante). Her discography includes Aci in Händel’s Aci, Galatea e Polifemo, Maddalena in Händel’s La Resurrezione, and a solo recording of Händel’s early Roman Cantatas, all under the direction of Marco Vitale with Contrasto Armonico. She is also awaiting the release of a recording of Lully’s Italian Ballets de cours under the direction of Fabio Bonizzoni with La Risonanza. She has received scholarships to participate in several young artist programs, including Tafelmusik Baroque Summer Institute (Canada), Gregynog Festival Masterclasses (Wales), and the Britten-Pears Young Artist Program (Uk). Stefanie completed her Bfa in music at York University (Toronto, Canada) studying with the Canadian mezzosoprano, Catherine Robbin in 2003. In 2007 she completed her B.Mus. in Early Music and an Artist’s Diploma in Classical Singing at the Royal Conservatoire, Den Haag, studying with Diane Folano, Barbara Pearson, Jill Feldman, and Michael Chance.