Emanuela Galli, born in Milan, graduated in Singing class at Conservatorio di Musica of Mantua (Italia). She collaborates with several baroque ensemble and orchestra, like Cappella della Pietà dei Turchini of Naples, Risonanza of Milan, Venexiana and Pian e Forte of Milan, Fenice-Paris, Piccolo Concerto Wien, Ensemble Sacro & Profano of Pesaro.
She sang in several festivals in Italy and abroad: Musica e Poesia in San Maurizio of Milan, Fondazione Teatro La Fenice in Venice, Fondazione Marco Fodella in Milan, Ancient Music Festivals in Rome, Turin, Naples, Bologna, Bari and Vicenza, Festival Baroque de Pontoise, Cité de la Musique in Paris, Floreal Musical in Epinal, Festival de Beaune in France, Festival de Bruges, in Belgium, festivals in Freiburg and Lugano in Switzerland; in Santiago de Compostela, Segovia, Barcelona in Spain; Neuburg, Regensburg and for Villa Musica in Germany; to the Konzerthaus of Wien and in Lisbon for the XX Gulbenkian de Musica Antiga (Portugal); to the Konzerthaus in Berlin, Ancient Music Festival in Bergen (Norway) and Festival in Utrecht.
She performed operatic roles of Italian baroque operas in Italy and abroad: Erosmina in Gaetano Latilla’s Finta Cameriera in Teatro Petruzzelli of Bari; Cupido and Maria Madre in Francesco Provenzale’s Colomba Ferita in Teatro San Carlo of Naples; Belluccia Mariano in Leonardo Vinci’s Li Zite’n Galera under baton of Antonio Florio; Alcina and Sirena in Francesca Caccini’s opera-ballet La liberazione di Ruggiero dall’isola di Alcina, under baton of Gabriel Garrido. She performed Claudio Monteverdi’s Vespro della Beata Vergine in Teatro Massimo of Palermo conducted by Garrido.
She has recorded for labels Opus 111, Stradivarius, Glossa, Amadeus, Agorà, Rete2 of Radio Svizzera Italiana, Rai3 and television of RSI.